31 posts tagged “figure”
I spent most of the day taking new shots of TailWing and burning disk #2 for a commission proposal due this Sat. The old picts just weren't making it...
After the mucous dribble of layer one, layer two has a bit of dye added to warn when I'm nearing the skin/mucous later. Then a thicker silicon mix is used to create a 3/4 inch line around the figure as the mold seam that will be cut apart later, and undercuts are back-filled. Layer three is yellow sport mesh & silicon, and layer four smooths over the sport mesh.
A seam for the plaster mother-mold begins with mold keys made from wax dixie cups and tea-candle tins (circle punched into the dixie cup with a die-cut hole cutter) [Note to self: never ever use the tea light cups again because the plaster will not let it go and you will take next to forever incrementally wedging the mother mold apart. Idiot! Gosh!] Toothpicks pin the mold keys and hot glue takes up any slack between the mold and the dixie cup. Nothing sticks to silicon mold, ditto for waxed dixie cups- so the hot glue creates a seal and the toothpicks act as an anchor, but will pop away from the waxed cup easily. Delicate work that gains strength as it all comes together, but it always is a bit tenuous.
When the mold seam is finished, it makes a nice bisecting Halo. Next comes the plaster & hemp mothermold.
The pencil drawings are from June/July.
The two below are from a series of picts experimenting with poses for the Orpheus & Eurydice commission. Those picts are back in SLC this trip out, buried in a box. These were fun to work out, as they are fairly intellectual works: intellectual drawings may sound a bit odd, but these pieces are more about the background knowledge of structure and exploring that knowledge.
We had a small break in the weather on Friday afternoon and I took the truck up over the hill and brought down 4 trees with the chainsaw, sectioned them out, piled them in the old ranch truck, unloaded them, split them, and stacked them. That should keep the cold out for a while; it hasn't snowed since last week, but the nights are getting down into the 30s.
This is the second Shawn/Rooster combo. The prior piece was my first Centaur Chicken, and sold almost immediately. It now lives in England. This one has some additions; the comb & wattle, and spurs. The prior piece joined the legs to the bird at the knees, while this one goes all the way to the hips- it stands at nearly 4 feet tall. All-thread runs the length of the legs and bolts to the underside of
the base. The plaster sub-base was poured in place to ensure stability. I used Hydrostone, a new-to-me kind of high bond plaster backed with hemp- and it is much stronger than my previous Hydrocal/burlap/bandage figures
The base color is established, but still needs patination, while the wood base needs wire-wooled and another coat of stain- but this is as far as it will go for quite awhile as I am heading back to Montana this weekend. I'll bring the laptop and post some Cowboy images when I head in to town.
This is why I have been absent from my post for a few weeks: the latest Figure With Heavy Ball- the ball as metaphor for all the unseen weights borne/perpetuated/imagined/real. I started him the Monday after The Existentialist, and have been working on him and the previous unfinished female figure with heavy ball (she has been a bit of a nemisis...). I think this is the best figure I've created to date, so that implies improvement- which is encouraging. The model is 47 years old, 6'2", 190lbs, shaved bald (E's brother-in-law: sorry ladies, he's taken). Quite a lean and muscular build, which inspired capturing his sense of strength. I took digital photos and created a slide show on the MacBook, then worked from the laptop images- I'll have him over sometime mid-month to work on the face/portrait. This is a half-sized figure, but still large at just over 3' tall, he took about 8 gallons of clay.